Stand By Me
On May 19, 2018, I did something I have never done before: I watched an entire royal wedding. Not live: better than live! In an act of pure selfless devotion, my husband remembered that I had said something about “recording the wedding” and actually set the TV to record it before we went to bed. He himself could not be less interested. But he knew I was.
After grieving my way through the morning papers—school shooting in Texas, misery in Gaza and Venezuela, tension brewing again in Korea—I was more than ready for the diversion of a royal pageant. Coffee in one hand and remote in the other, I fast-forwarded through the three hours of buildup and blather until, at last, I got to the main course: Meghan Markle getting out of the Rolls Royce at St. George’s Chapel. Time to get this fancy shindig started.
When Charles and Diana married in 1981, I was at Carolina Beach in my boyfriend’s family’s cabin. His mom and I set our alarms and got up in the wee hours, hoping we might squeeze some reception out of their old black-and-white TV. But no amount of wiggling the rabbit ears would bring in anything more than a squiggly, triple image—a sort of Cubist version of the ceremony—with words deeply buried in fuzzy static.
When William and Kate married in 2011, I was on a plane flying home from Mexico.
This time, I would finally get to indulge.
Most of the Brits I know roll their eyes when you say “royal family.” They mutter about the most expensive public housing in the world and the nuttiness of thinking that inbred aristocrats should for one second be considered superior to the rest of us. I get it. I understand that it’s all a silly fairy tale. But sometimes fairy tales make for bewitching theatre.
Especially if there’s a twist: for example, if the fairytale princess is African-American, instead of British-Aristocrat. And so this royal wedding featured two of the best things that have ever happened to old St. George’s Chapel at Windsor Castle: an African-American-style gospel choir, and an African-American preacher. Karen Gibson and the Kingdom Choir (who are from London) rocked the royal house with an exquisitely harmonized version of Ben E. King’s “Stand By Me,” featuring soloist Paul Lee. Presiding Episcopal Bishop Michael Curry made the Archbishop of Canterbury and the Dean of Windsor Castle seem like a couple of butlers from Downton Abbey, quietly dozing through their tea break while he brought the house down, gliding easily from quiet reflections on the Song of Solomon to thundering invocations of Martin Luther King, but circling back, always, to the power of love to change the world.
The power of love. It has been more than thirty years since that October day in Scotland when Rustin and I spoke our vows. Our own fairy tale, like so many fairy tales do, has taken us through a few dark woods. So it feels dangerously inane to me to say something like, “a lasting marriage is all about the little things; for example, recording the royal wedding for your wife, even though you can’t imagine why she or anyone else would want to watch such an absurd and outdated spectacle.”
But the power of love is about those small acts of love, just as much as it’s about the big dramatic ones.
At our wedding, the young Rev. Jeff McCormick of the Church of Scotland wound up his homily with these words of wisdom: “Never forget the love that brought you here today. Look after it and work with it. And, in a strange way, this will be just the beginning of a romantic story.”
Look after your love. Work with it. What wise advice that was. Because—and you know how it goes–“When the night has come, and the land is dark, and the moon is the only light we’ll see; No I won’t be afraid, no I won’t be afraid. Just as long as you stand, stand by me.”